Cotehele Quay, Cornwall #art

Back in August 2024, whilst running the second half of the West Devon Way from Peter Tavy to Okehampton, I managed to land heavily on my left leg, jolting the knee inwards. At the time, it was just one of those slightly missed steps that occurs when out running on rough terrain, but in the next couple of days I found myself in a fair amount of pain, with my left knee feeling oddly loose and unstable. The pain subsided, and by the following weekend I was able to test myself out with a short run. Yes, okay, there was some reaction afterwards, but would it stop me completing my plan to run a section of the South West Coast Path from Par Beach to Looe a week later? What do you think?

Sometimes in life one makes mistakes… On Thursday 29th August, after being dropped at Plymouth Railway Station, I caught the 0747 train to Par, and having jogged the mile or so from Par Station to the beach, at 09:28 I began my self-propelled journey west. It was a beautiful sunny day, giving me spectacular coastal views and some great running… but by the time I reached Fowey, almost six miles into the route and having rounded Gribbin Head, my leg was screaming at me that it was sore… very sore. Did I do the sensible thing, and call it a day? You’ve probably gathered by now that the answer to that question is ‘no’. Instead, having cross the River Fowey on the passenger ferry, I climbed out of Polruan to begin the(how shall I put this?) somewhat undulating section of the path that would eventually take me to Looe, ten miles or so further along the coast. It was not a good decision – for undulating read brutally up and down and blisteringly hot… By the time I reached Looe I was hobbling along, and hardly able to run at all. It got worse. My wife had driven over to pick me up and in time it took us to drive home again my leg had decided that it wasn’t really interested in moving anymore – so it didn’t.

What followed was an initial period when my left knee felt like it could collapse on me at any time, and when it wasn’t making that threat it was clunking nauseatingly, as some internal part of it moved in a way that it clearly wasn’t supposed to. So, I rested up, took things carefully, and went to see a Sports Therapist who agreed with my self-diagnosis – that I had damaged my Medial Collateral Ligament (which is located on the inside of the knee joint and acts to prevent, or at least limit, unwanted inward movement). Over the next few months I paid regular visits to the clinic for ultrasound treatment, nerve stimulation and massage, and I completed (not especially diligently) a set of stretches designed to improve the overall strength and mobility of my leg. Things sort of got better…

Just before Christmas, still experiencing pain, especially after I had been sitting down for any length of time (which is essentially how I spend the bulk of my days…), and still unable to run, I switched to seeing a Physiotherapist. She immediately targeted my hamstring and quad to carry out some excruciatingly painful massage and trigger-point needling. Things continued to sort of get better…

In January, I caught a bad cold, had to cancel a physio appointment, and following the resulting unplanned period of rest and inactivity, found that my leg was definitely starting to feel quite a lot better. It made me wonder whether that was what my leg really needed – complete rest, or as close to complete rest as I could get – and so I avoided walking as much as I could (getting a lift into work), and waited for time to do its job (which, as I write this at the end of February, it is still doing…).

All of which is a very long-winded way of explaining why, one Sunday afternoon towards the end of January, with us unable to go out for a walk anywhere, I drove down to The Box (museum) in Plymouth where I subsequently sat with a coffee and some of my drawing and painting gear while my wife walked down to meet me and hour or so later. I didn’t have any kind of plan, but after a quick search for interesting images of local places, I selected a photograph of Cotehele Quay on the Cornish side of the River Tamar about ten miles north of where I sat and set to work.

The picture at the start of this entry is the result. I was a bit limited by the range of watercolour pans that I had with me, but it’s a reasonably satisfying little picture with some nice details, and I think it captures the overall feel of the place fairly well. It was certainly an interesting experience to sit painting in a public place (not that I was aware that any of the people around me really noticed what I was doing) and something that I am sure I will do again. It would be better, of course, to be sitting out in nature actually looking at the view I am painting, but for that to happen it seems that I will need to remain patient a little longer…

Out and About Again At Last #other

Four months ago, at the end of August 2024 I managed to do some damage to my left Medial Collateral Ligament while completing long runs. I think I did the injury earlier that month while running the second half of the West Devon Way from Peter Tavy to Okehampton but then I compounded things by attempting to complete my leg of the King Charles III Coastal Challenge, or at least a good chunk of it from Par Beach to Looe, a couple of weeks later. By the end of that run, over typically up-and-down Cornish coastal path terrain I could hardly walk and ever since then I have been trying to nurse it back to strength with the help of some visits to a Sports Therapist and, more recently, a Physiotherapist. But although the area where the MCL itself attaches to the top of my calf muscle has gradually become less sore, I have not been able to get my leg back to normal and pain-free – it now has a tendency to feel somewhat unstable and ‘clicky’ and is very sore most of the time and especially after I have spent any time sitting down. It has been very frustrating, not only preventing me from doing any running (apart from an 0.6 mile test run in mid-December) but it has also meant that I have cut back on walking and certainly not gone for any proper walks our and about on Dartmoor or at the coast.

Consequently, it was with a lot of joy that we took ourselves up onto the edge of Dartmoor yesterday morning for a short loop walk from the village of Meavy over to Burrator Reservoir and then back along the line of the old railway before dropping back to our starting point. The walk, 2.6 miles in total, is one that we have done multiple times before and gives a nice mix of terrain and some good views across the valley and the reservoir.

I particularly like the first section of the walk across some fields into a wooded area…

… after which the path climbs up towards the road at Burrator Reservoir …

After joining the road, we proceeded along it, above the reservoir, until reaching a small waterfall at which point we turned back to join the old railway line back towards Dousland …

The return section is more open with views south across the valley …

I always like views that have a mix of farmland and wilder moorland. Towards the end of the walk I also got to see another favourite sight, a fairly symmetrically-shaped tree, or what I now refer to as a symmetree!

Although the weather was not great, with cloudy and grey skies, there was no rain and it was just so good to get out and about, to be breathing fresh air, to be unconstrained by walls and to be immersed in nature again.

One day on, I am pleased to report that although my leg does feel somewhat sore, it does not feel any worse than on any other day and so hopefully it will now be possible to start to introduce a bit more proper walking back into life.

Stone Circle, Dartmoor #art

Back in April I decided I would like to have a go at sketching and painting. I have often thought about trying to do watercolour painting but my natural tendency towards perfectionism and my inability to carve out time for such activities has always put paid to those ideas. Back in Primary School – 50 or so years ago – I was quite into drawing and painting (without any particular flair) but in the intervening years I have hardly picked up a sketching pen or paint set. So, it was a bit of an impulse decision when I decided to work my way through a free video course on drawing and painting with ‘loose lines’ earlier this year. The course consisted of ten short videos that gave prompts to follow and, importantly, encouraged imperfection and embracing of mistakes (one of the practice tasks included instructions to deliberately make mistakes which I will admit I found hard to follow).

After just a few days of working through the course I was branching out to do more ambitious pieces and soon found myself starting to develop my own style. Since then I have been producing pictures on a fairly regular basis – mostly quick (15-30 minute), small watercolour landscapes and usually with quite a lot of detail put in with black ink. Producing these little works of art has been something I have greatly enjoyed and even though I say it myself the final pieces have been pretty good and certainly much better than I expected them to be given that I have a complete lack of technical training and zero experience to guide me. I just try things out, play and see what happens.

Over the weekend just gone I sat down for half an hour or so and decided I would have a go at producing a watercolour painting without doing what I usually do which is to first draw out the subject in a fair amount of detail in ink and then subsequently add more detail in ink on top of the paint. I have called this a ‘minimal ink’ watercolour (I did put a few small details in after I had completed the painting). I chose a photo of a stone circle on Dartmoor as my subject matter. The result is the picture at the top of this post and it is one that I am really pleased with. I am pleased with the sky as I have captured the colours and cloud shapes better than any sky I have painted previously and I am pleased with the oranges and pinks in the colour of the moorland. Most of all I am pleased that I have extended the range of my art a little more by limiting my use of ink and creating something that is a little less detailed and a little more impressionistic. It is certainly a style that I will have a go at again sometime.

Life and Death


I think it is hard to beat an interesting tree – sometimes it is the shape that speaks to me, sometimes the colours and sometimes it’s the the signs of a hard life lived. So, you can perhaps imagine my excitement when I spotted this particular tree with its strong, thick trunk and its beautifully rounded and perfectly balanced shape all thickly enveloped by deep green leaves, so full of life… and yet, running upwards through its core, emerging to thrust like inverted lightning flashes from its top (and less visible in the photograph, a withered tendril reaching downwards on the left side), the sharp, angular, stripped-bare branches, absolutely dead to the world. This is a tree that is both dead at the core and alive at heart and I have never seen its like before.

Symmetree

I love trees. I love the way that they seem to produce all of their substance out of nothing; the way that they can hang around for ages while the world changes around them; they way that they are all so different whilst still obviously being trees; the way that they change on all kinds of timescales.

I like taking photographs of trees, particularly ones with a high degree of symmetry where the shape of one side of the tree is the same as the shape of the other side and where the trunk is nice a straight and down the middle. I don’t only like symmetrical trees but I do think I like those ones the best.

A couple of days ago I was up on Roborough Common (on the south-western edge of Dartmoor). It was my first time properly outside of Plymouth for at least 8 weeks. It was a beautiful sunny and still evening – aren’t they all at the moment? We parked up the car, set out for a stroll and there it was, was one of my favourite symmetrical trees; one that is always hard to walk past without taking a photograph. And so, of course, I did, resulting in a picture that I am particularly proud of.

This isn’t just a symmetrical tree; it’s a Symmetree…